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Picasso


MAN WITH A PIPE, Pablo Picasso, 1911
© 2001 Estate of Pablo Picasso/Artists Rights Society (ARS), New York


THE GRAY ACROBAT, Pablo Picasso, 1930
© 2001 Estate of Pablo Picasso/Artists Rights Society (ARS), New York

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Yve-Alain Bois: In this painting, as I’ve said before, we realize that you don't need to have one homogenous style within a painting; there is a recognition that painting is a language.

Picasso's interest is in transforming something into something else. That is, anything can be the sign for something else. There is no one-to-one meaning. Anything can become a sign for a bull's head: the combination of a bicycle seat and handlebar, for example. Anything can become transformed, and there's a fundamental belief in the transformational character of art that is characteristic of all of his production.